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・ Iphiclides feisthamelii
・ Iphiclides podalirinus
・ Iphicrates
・ Iphidamas
・ Iphidozercon
・ Iphigenia
・ Iphigenia (disambiguation)
・ Iphigenia (film)
・ Iphigenia (plant)
・ Iphigenia in Aulis
・ Iphigenia in Tauris
・ Iphigenia in Tauris (Goethe)
・ Iphigenia socotrana
・ Iphigénie
・ Iphigénie Decaux-Milet-Moreau
Iphigénie en Aulide
・ Iphigénie en Tauride
・ Iphigénie en Tauride (Desmarets and Campra)
・ Iphigénie en Tauride (Piccinni)
・ Iphigénie en Tauride discography
・ Iphigénie-class frigate
・ Iphimede
・ Iphimedeia
・ Iphimedia (amphipod)
・ Iphinoe
・ Iphinoe (mythology)
・ Iphinoe echinata
・ Iphinoe ovoideus
・ Iphinoe trispinosa
・ Iphinopsis


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Iphigénie en Aulide : ウィキペディア英語版
Iphigénie en Aulide

''Iphigénie en Aulide'' (''Iphigeneia in Aulis'') is an opera in three acts by Christoph Willibald Gluck, the first work he wrote for the Paris stage. The libretto was written by François-Louis Gand Le Bland Du Roullet and was based on Jean Racine's tragedy ''Iphigénie''. It was premiered on 19 April 1774 by the Paris Opéra in the second Salle du Palais-Royal and revived in a slightly revised version the following year.
A German version was made in 1847 by Richard Wagner, with significant alterations.
==Performance history==
At first, ''Iphigénie'' was not popular, except for its overture which was applauded generously.〔Pitou, p. 288〕 After the premiere, it was billed for three days in April of 1774, but its first run was interrupted by the theatre's six-week closure due to the dying of Louis XV.〔 ''Iphigénie en Aulide'' returned to the theatre on 10 January 1775, and was revived annually from 1776 to 1824 with a few exceptions. During that 50-year span from 1774 to 1824, it was performed in Paris more than 400 times,〔 and eventually turned out to be Gluck’s most frequently performed opera in Paris.〔(Dizionario ) (accessed 6 May 2011)〕
For the 1775 revival, "Gluck revised ''Iphigénie en Aulide'' ... introducing the goddess Diana (soprano) at the end of the opera as a ''dea ex machina'', and altering and expanding the ''divertissements''... So, broadly speaking, there are two versions of the opera; but the differences are by no means so great or important as those between ''Orfeo ed Euridice'' and ''Orphée et Euridice'' or between the Italian and the French ''Alceste''".〔Hayes, p. 817; cf. also (Dizionario )〕
In 1847 Richard Wagner presented a revised German version of Gluck's opera, ''Iphigenia in Aulis'', at the court of Dresden. Wagner edited, re-scored and revised the opera significantly including a different ending and some other passages of his own composition. Wagner's version of the opera is available on Eichhorn's 1972 LP recording,〔Later CD: Eurodisc, 352 988; Bmg Rca, 74 321-32 236-2.〕 and was also revived at the 1984 Waterloo Festival with Alessandra Marc as Iphigenia.
〔Will Crutchfield, ("Concert: Wagner's Resetting of Gluck's ''Iphigenie''" ), ''The New York Times'', July 23, 1984〕 Wagner's finale translated back into French was also performed in the 2002/2003 La Scala production conducted by Riccardo Muti.〔Leonetta Bentivoglio, "''Ifigenia'' travolta dagli applausi", ''La Repubblica'', 8 December 2002.〕
''Iphigénie en Aulide'' was first performed in the United States on 22 February 1935 at the Academy of Music, Philadelphia. The fully staged production was presented by the Philadelphia Orchestra and conductor Alexander Smallens. Directed by Herbert Graf, it used sets by Norman Bel Geddes and starred Georges Baklanoff as Agamemnon, Cyrena van Gordon as Clytemnestre, Rosa Tentoni as Iphigénie, Joseph Bentonelli as Achille, and Leonard Treash as Patrocle.

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